Moon Snails aren't just "beige." They offer a sophisticated palette for learning how to mix muted, natural tones. Wet on Wet
Goal: Simplifying Complex Form
Identify the core shadow and highlight to suggest volume.
Use as few brushstrokes as possible to define the curvature, focusing on the "gesture" of the spiral rather than a technical map of it.
Tracing Transfer 15 minutes
Practice 1 hour
5x7 Painting 45 minutes
NOTE: Finish at home or create as many as you like until your are satisfied with your results.
Creating "colorful grays" using complements (like blue and burnt orange). See Colors Used
Layering thin, transparent washes to build up that characteristic pearlescent glow without making the paint look muddy.
Quick Studies: Small-scale painting of four shells to work out technical "kinks" and decision-making regarding texture and light.
Alizarin Crimson, Ivory Black, Yellow Light
Practice: by painting four of the same shell with different techniques.
Preserving the white of the paper: Essential for that sharp, bright highlight that indicates a glossy surface.
Minimalist Detail: Adding just one or two crisp lines at the very end to define the "lip" of the shell, less is more in watercolor shell painting.
Using your own supplies? Feel free to pre-draw this reference photo at home ahead of the class.
Lemon Yellow (PY175) or Hansa Yellow Light (PY3)
Alizarin Crimson Hue (PR179) or Naphthol Red (PR112)
Raw Umber (PBr7)
Cerulean Blue (PB35 or PB36)
Payne's Grey (B214), Violet 231
Dr. Ph. Martin's Bleed Proof White